Since 2012 at the latest, relations between the EU and Russia have once again experienced ever deeper alienation. (Culture) politically, a drifting apart began, which continued in a profound loss of trust, the severance of official bilateral and multilateral relations in the institutional cultural sector and in fact led to a collapse of Russian-Belarusian and European cultural network as a result of Russia's military invasion of Ukraine in February 2022.
It is precisely those Russian and Belarusian artists who do not allow themselves to be absorbed by a currently prevailing system want. They in particular, who continue to live in Russia or Belarus, are increasingly frowned upon in their own country as representatives of supposedly decadent “Western art,” risk draconian punishments for non-conformist, critical artistic creation and live and work increasingly isolated and unknown from the West.
“Malyshki 18:22" is a duo of artist sisters Nika and Aksinya Sarycheva from Siberia. They live and work in Tomsk.” We deal with topics such as the meaning of the small, the fragile, femininity, brotherhood and tenderness, as well as how this clashes with harsh reality. Our method is “beauty vandalism.” It is about bringing together contrasts that create conflict — a feeling and state that is particularly characteristic of Russian culture. In our projects, we always start from concrete personal experience, often traumatic, and address broad social issues: from “small to big.”
Using deconstruction, cut-up methods, and deeplistening practices, I delve into routine, memory, and trance states. Field recordings, web and gadget sounds, and vocal textures—whispers, breaths, melodic fragments—are looped and layered to create a sense of fragmentation and intimacy.
26th November, 2026 20:00 (entrance) – 23:00 FLUCC Wanne
This evening is supported by the
Federal Ministry Housing, Arts, Culture, Media and Sport; Republic of Austria
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